| |
YEAR |
TITLE |
INSTRUMENTATION |
DURATION |
TEXT BY |
| 1 |
1985 |
Cityscape Photograph No. 1 |
trumpet and ‘cello |
? |
N/A |
| 2 |
1985 |
Fantasia for Solo Clarinet |
clarinet |
0:08:00 |
N/A |
| 3 |
1985 |
Music for Two Marimbas |
two marimbas |
0:10:00 ? |
N/A |
| 4 |
1985 |
Quintet |
soprano sax (2), alto sax (2), tenor sax (2), slit drum, drum
machine |
0:09:30 |
N/A |
| 5 |
1985 |
The Secret Dreams of Diamonds |
flute, clarinet, bass clarinet |
open |
N/A |
| 6 |
1985 |
We |
soprano sax and piano |
0:04:50 |
N/A |
| 7 |
1986 |
Alcatraz Remembers |
flute, clarinet, alto saxophone, tenor saxophone, violin, viola,
‘cello, electric bass |
0:15:00? |
N/A |
| 8 |
1986 |
Dream Saves Day |
large mixed ensemble |
0:10:00 |
N/A |
| 9 |
1986 |
Here's What Brother Jed Has Learned About Freedom |
narrator and saxophone quartet (A1, A2, T, B) |
0:05:50 |
N/A |
| 10 |
1986 |
Night Song #1 |
solo piano |
0:04:45 |
N/A |
| 11 |
1986 |
Night Song #2 |
solo piano |
0:05:30 |
N/A |
| 12 |
1986 |
Night Song #3 |
solo piano |
0:05:50 |
N/A |
| 13 |
1986 |
To Helen Bach |
tenor saxophone, ‘cello, vibraphone, keyboard, electric bass |
0:05:00 |
N/A |
| 14 |
1987 |
String Quartet No. 1 |
string quartet |
0:25:45 |
N/A |
| 15 |
1987 |
Young |
soprano, clarinet and ‘cello |
0:05:40 |
Anne Sexton |
| 16 |
1988 |
"Work” from “LOVEWORKBEAUTYATMOSPHERETIMEDEATH" |
soprano and piano |
0:01:30 |
Andy Warhol |
| 17 |
1988 |
“Beauty” from “LOVEWORKBEAUTYATMOSPHERETIMEDEATH" |
soprano and piano |
0:05:00 |
N/A |
| 18 |
1988 |
Four Pieces for Two Violins |
two violins |
0:10:00 |
N/A |
| 19 |
1988 |
Just Meet and So It Is |
clarinet ensemble |
0:07:15 |
N/A |
| 20 |
1988 |
Trio No. 1 in A |
flute, ‘cello and harpsichord |
0:12:45 |
N/A |
| 21 |
1989 |
After a Dream (Charmed by Your Image) - Cadman/Faure |
The Illustrious Theatre Orchestra (ITO) was a chamber ensemble
formed by Shane W. Cadman and John P. Hoover in 1989 in order to perform the
compositions of its members. For more information on the ITO, please go to
www.theito.org. The standard
instrumentation of the ITO is: violin, clarinet, tenor saxophone/keyboard,
‘cello, baritone saxophone/bass clarinet, and keyboard, but the exact
instrumentation may vary from piece to piece (from 1992 to 1995 there was no
violin in the ensemble). Starting in 2000, the ensemble grew by several
members (from 6-9 depending on the performance) and the instrumentation
became much more flexible. Shane left the ensemble in 2001, and it disbanded
in 2003. |
0:08:00 |
N/A |
| 22 |
1989 |
Giving up the Ghost |
The ITO |
0:04:00 |
N/A |
| 23 |
1989 |
Like a Wheel Inside a Wheel, Parts 1-6 |
The ITO |
open |
N/A |
| 24 |
1989 |
Prelude |
alto saxophone and piano |
0:03:30 |
N/A |
| 25 |
1989 |
Reflecting on Stained Glass |
The ITO |
0:07:30 |
N/A |
| 26 |
1989 |
Sacra Conversazione (3 movements) |
chamber orchestra and piano |
0:18:00 |
N/A |
| 27 |
1989 |
She Walks in Beauty |
tenor and the ITO |
0:04:30 |
Lord Byron |
| 28 |
1989 |
The Good Woman of Setzuan” (incidental music) |
mixed ensemble |
? |
Bertolt Brecht |
| 29 |
1990 |
Dancing about Architecture (Talking about Art) - Act 1 |
The ITO (with an actor and two dancers) |
0:44:00 |
Tom Callinan |
| 30 |
1990 |
Gas Chamber Music |
The ITO |
0:01:40 |
N/A |
| 31 |
1990 |
One Big Dark Room |
The ITO |
0:06:20 |
N/A |
| 32 |
1990 |
Sextet (1987/90) |
The ITO |
0:09:00 |
N/A |
| 33 |
1991 |
"Aria” from A Forest Tale |
mezzo-soprano and the ITO |
0:04:15 |
Jerry Gordon |
| 34 |
1991 |
Cat Got Your Soul |
The ITO |
0:03:40 |
N/A |
| 35 |
1991 |
Dancing about Architecture (Talking about Art) - Act 2 |
The ITO |
0:30:00 ? |
N/A |
| 36 |
1991 |
Kissing Memory’s Lips |
The ITO |
0:06:25 |
N/A |
| 37 |
1991 |
Late for the Count’s Again |
The ITO |
0:03:50 |
N/A |
| 38 |
1991 |
Per Speculum in Aenigmate |
The ITO |
0:06:00 |
N/A |
| 39 |
1991 |
Underneath the Trampled Garden |
The ITO |
0:13:20 |
N/A |
| 40 |
1991 |
With the Queen |
solo piano |
0:08:00 |
N/A |
| 41 |
1992 |
“Frankenstein Meets the Incredible Dr. Nin” (incidental music) |
guitar, keyboard and percussion |
0:05:00 + ? |
Jerry Gordon |
| 42 |
1992 |
“The Unexpected Guest” (incidental music) |
The ITO |
0:08:00 |
N/A |
| 43 |
1992 |
All Night I Heard the Birds Flying |
The ITO |
0:13:00 |
N/A |
| 44 |
1992 |
Beautiful View from an Asylum Window |
solo piano |
0:03:20 |
N/A |
| 45 |
1992 |
Fleur de Mal |
The ITO |
0:06:00 |
N/A |
| 46 |
1992 |
In the Shadow of the Rose |
The ITO |
0:05:30 |
N/A |
| 47 |
1992 |
Standing on the Shoulders of Giants |
The ITO |
0:07:30 |
N/A |
| 48 |
1992 |
The Moon Speaks of Influence to the Sea |
soprano and piano |
0:02:30 |
Jerry Gordon |
| 49 |
1992 |
The Sea Responds on Influence to the Moon |
soprano and piano |
0:01:45 |
Jerry Gordon |
| 50 |
1992 |
The Shade Never Was |
The ITO |
0:03:30 |
N/A |
| 51 |
1992 |
Thou Pale Companion! |
The ITO |
0:04:30 |
N/A |
| 52 |
1992 |
Two Means to an End |
saxophone quartet (SATB) |
0:04:30 |
N/A |
| 53 |
1992 |
What Goes Without Saying Goes Unsaid |
The ITO |
0:12:00 |
N/A |
| 54 |
1993 |
Dancing in Bedlam |
The ITO |
0:08:15 |
N/A |
| 55 |
1993 |
Love Answers Under Rain’s Allure |
The ITO |
0:09:15 |
N/A |
| 56 |
1993 |
Peripitie |
string quartet |
0:05:30 |
N/A |
| 57 |
1993 |
Suite #1 (a five movement dance suite) |
The ITO |
0:17:35 |
N/A |
| 58 |
1993 |
The Flight of Prometheus |
symphonic band |
0:04:50 |
N/A |
| 59 |
1994 |
Domine, Dominus noster |
unaccompanied choir (SATB) |
0:04:00 |
? |
| 60 |
1994 |
How Long, O Lord? |
unaccompanied choir (SATB) |
0:04:15 |
Psalm 13 |
| 61 |
1994 |
I Lift Up My Eyes To You |
unaccompanied choir (SATB) |
0:03:40 |
Psalm 123 |
| 62 |
1994 |
I To You 1. “To the Hand
of Her Mistress” 2. “To the Hand of
their Master” |
The ITO |
0:09:00 (03:30, 05:30) |
N/A |
| 63 |
1995 |
Amid Disquieting Dreams |
The ITO |
0:02:45 |
N/A |
| 64 |
1995 |
Like a Fleeting Shadow |
The ITO |
0:10:20 |
N/A |
| 65 |
1995 |
The Noise of a Multitude |
1 piano, 18 hands |
0:03:00 |
N/A |
| 66 |
1995 |
The Sun Rises, and They Steal Away |
The ITO |
0:03:00 |
N/A |
| 67 |
1995 |
To a Revelation of Mystery Hidden |
The ITO |
0:14:00 |
N/A |
| 68 |
1996 |
A Voice of One Calling |
The ITO |
0:12:25 |
N/A |
| 69 |
1996 |
I Saw the Lord |
soprano and piano |
0:03:45 |
Acts 2:25-28 |
| 70 |
1996 |
Polka and Variation (Beer Barrel Polka) |
two pianos (eight hands) and percussion |
0:04:20 |
N/A |
| 71 |
1997 |
et afflictio spiritus |
string orchestra |
0:06:40 |
N/A |
| 72 |
1997 |
Hersa Hendricks - cues (film score) |
soprano and synthesizers |
0:20:00 ? |
N/A |
| 73 |
1997 |
Mass (“A Flame in the Distance” w/Oguri and Renzoku) - 5
movements |
The ITO, pre-recorded electronic percussion, and DJ sampler |
1:05:00 |
N/A |
| 74 |
1997 |
Psalm 23 |
unaccompanied choir (SATB) |
0:04:45 |
Psalm 23 |
| 75 |
1998 |
Grand Hope Flower |
soprano, mixed voices, and string quartet |
0:45:00 ? |
Sir Isaac Newton, Rosanna Gamson |
| 76 |
1998 |
In the Street of the Great City |
The ITO |
0:06:35 |
N/A |
| 77 |
1998 |
The Head of a Woman |
soprano and piano |
0:06:20 |
Jerry Gordon |
| 78 |
1998 |
Two Things I Have Heard (1. One, 2. Two) |
alto and tenor saxophone |
0:05:30 (2:00, 3:30) |
N/A |
| 79 |
1998 |
Untitled |
tenor saxophone and tapes |
open |
N/A |
| 80 |
1998 |
Vessel |
satb vocal quartet (a capella) and harmonium (drone) |
0:08:00 |
N/A |
| 81 |
1999 |
Drive |
soprano and piano |
0:04:55 |
Maryedith Burrell |
| 82 |
1999 |
Lovesickness |
soprano and the ITO (violin, clarinet, ‘cello, bass clarinet and
percussion) |
0:45:00 ? |
N/A |
| 83 |
1999 |
Old Men Will Dream Dreams |
clarinet, ‘cello, and bass clarinet |
0:14:30 |
N/A |
| 84 |
1999 |
The Green Boat |
mezzo-soprano and piano |
0:06:10 |
Doug Cooney |
| 85 |
1999 |
The Piano Lesson |
mezzo-soprano, baritone and piano |
0:04:00 |
Robert Fieldsteel |
| 86 |
1999 |
Trust (from Eurydice and Orpheus) |
mezzo-soprano, two baritones and piano |
0:06:00 |
Leon Martell |
| 87 |
1999 |
We Tore It Up |
two sopranos and piano |
0:04:05 |
Kelly Stuart |
| 88 |
1999 |
Women of Mystery - cues (film score, co-scored with John P.
Hoover) |
The ITO (violin, clarinet, ‘cello, bass clarinet and percussion) |
0:15:00 ? |
N/A |
| 89 |
2000 |
1441 |
the ITO (no specific instrumentation) |
0:03:00 |
N/A |
| 90 |
2000 |
At That Moment |
solo piano |
0:04:15 |
N/A |
| 91 |
2000 |
Dance |
concert band |
0:02:40 |
N/A |
| 92 |
2000 |
In the Night |
soprano and piano |
0:03:50 |
Henri Michaux |
| 93 |
2000 |
The Fourth Man in the Fire |
the ITO (no specific instrumentation) |
open |
N/A |
| 94 |
2000 |
This Is My Resting Place (taken from "Dancing in
Bedlam") |
the ITO (no specific instrumentation) |
0:03:35 |
N/A |
| 95 |
2001 |
Dreaming in the Garden of Gethsemane |
The ITO (no specific instrumentation) + SATB a capella version |
0:06:35 |
N/A |
| 96 |
2001 |
Mulch (composed with Jerome Dunn, Jeff Fairbanks and John P.
Hoover) |
a capella voices |
0:17:30 |
N/A |
| 97 |
2001 |
The Letter |
soprano, mezzo-soprano, tenor, baritone, chorus, piano, synthesizer and percussion |
0:45:00 |
Shane W. Cadman & Edmund Rostand |
| 98 |
2001 |
Waltz |
The ITO (no specific instrumentation) |
0:05:15 |
N/A |
| 99 |
2002 |
Preludio |
soprano, clarinet and piano |
0:01:45 |
F. Garcia Lorca |
| 100 |
2002 |
Two Views/An Urban Ocean Has 29 Eyes |
soprano, ‘cello, piano and
percussion |
0:45:00 ? |
Sei Shonagon/Sun Tzu/Rosanna Gamson |
| 101 |
2003 |
Out of the Depths |
unaccompanied choir (SATB). |
0:04:30 |
Psalm 130 |
| 102 |
2005 |
Surprised by Evening |
soprano, piano |
0:04:10 |
Robert Bly |
| 103 |
2006 |
March of the Huskies |
beginning band |
0:01:20 |
N/A |
| 104 |
2006 |
The Haunted Boy - cues (film score) |
violin, viola, cello, clarinet, guitar, celesta, piano |
0:10:00 (approx.) |
N/A |
| 105 |
2007 |
Fastball |
soprano, vocal loop (digital or pre-recorded) |
6:00 |
Tom Callinan |
| 106 |
2008 |
Little Square Pieces of Dreams |
vibraphone, marimba, guitar, harp, violin, cello |
9:20 |
N/A |
| 107 |
2008 |
Waiting For Snow To Fall |
soprano, clarinet, piano |
6:00 |
Sean Gunning |
| 108 |
2009 |
Music for Insomniacs #1 |
open score (arr. for clarinet & piano) |
6:15 |
N/A |
| 109 |
2009 |
Spindle |
soprano, tenor sax |
4:30 |
A.J. Woody |
| 110 |
2009 |
Music for Insomniacs #2 |
open score |
6:20 |
N/A |
| 111 |
2009 |
Music for Insomniacs #3 |
open score |
7:07 |
N/A |
| 112 |
2010 |
Music for Insomniacs #4 |
open score |
7:15 |
N/A |
| 113 |
2010 |
Music for Insomniacs #5 |
open score |
8:20 |
N/A |
| 114 |
2010 |
Music for Insomniacs #6 |
open score |
8:50 |
N/A |
| 115 |
2010 |
Music for Insomniacs #7 |
open score |
7:24 |
N/A |
| 116 |
2013 |
Radiance |
concert band |
10:15 |
N/A |
| 117 |
2014 |
l'espace d'un intent (for a brief moment) |
string quartet |
4:00 |
N/A |
| 118 |
2015 |
The First Ride of the Azure King |
guitar ensemble |
5:10 |
N/A |
| 119 |
2015 |
A Slow Waltz |
guitar ensemble (also arranged for piano trio) |
7:15 |
N/A |
| 120 |
2015 |
Another Slow Waltz |
guitar ensemble |
6:25 |
N/A |
| 121 |
2016 |
Moments Like These |
clarinet, guitar, looper |
6:00?? |
N/A |
| 122 |
2016 |
Light Like Water |
clarinet, guitar |
8:00?? |
N/A |
| 123 |
2016 |
And the Moon Spun Round Like a Top |
clarinet, guitar, looper |
6:00 |
N/A |
| 124 |
2016 |
The Secret of Seeing |
clarinet, guitar, looper |
7:30 |
N/A |
| 125 |
2016 |
Nights Cry Love |
clarinet, guitar, looper |
6:00 |
N/A |
| 126 |
2016 |
In a Twinkling |
clarinet, guitar |
4:00 |
N/A |
| 127 |
2016 |
I Sway Transfixed and Emptied |
clarinet, guitar, looper |
4:30 |
N/A |
| 128 |
2016 |
The Leaf In The Zephyr |
clarinet, guitar, looper |
4:05 |
N/A |
| 129 |
2017 |
Litanies Hum |
clarinet, guitar, looper |
5:00 |
N/A |
| 130 |
2017 |
The Pleasure of Days |
clarinet, guitar, looper |
5:20 |
N/A |
| 131 |
2017 |
Temporary Creatures 1 |
guitar, looper |
open |
N/A |
| 132 |
2017 |
Temporary Creatures 2 |
guitar, looper |
open |
N/A |
| 133 |
2018 |
Deja Reve |
clarinet, guitar, looper |
4:20 |
N/A |
| 134 |
2018 |
With An Eye Made Quiet |
clarinet, guitar, looper |
3:00 |
N/A |
| 135 |
2020 |
Like A Sparrow In Its Flitting |
string trio (vl. 1, vl. 2, vc.) |
4:40 |
N/A |
| 136 |
2021 |
A Light Has Dawned |
trombone duet |
4:30 |
N/A |
| 137 |
2024 |
Three Shadow Songs |
soprano 1, soprano 2, alto |
9:20 |
from Psalms 102, 144, 109 |
| 138 |
2024 |
Come, my Light |
soprano 1, soprano 2, alto |
6:00 - 8:00 |
Dmitri of Rostov |
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